There are three mirrored bays within the dwelling space. In the midst of the house is a lumpen Max Lamb espresso desk (“It’s bought that Fred Flintstone factor to it”) and 20 meters (65 toes) of custom-made shelving. A easy kitchen is constructed into the tip wall past the couch.
Upstairs, there’s a main bedroom and a visitor bed room furnished with a settee and a leather-based punching bag (Webster kick packing containers). The monochrome foremost lavatory has been tiled in a disorientating, monochrome zig-zag sample.
Webster’s studio is accessed by way of a separate facet door. The brink is a doormat-sized forged concrete slab with the phrases “Fucking Lovely” dragged by it, a nod to Noble and Webster’s 2017 neon work of the identical title.
Webster likens the grueling design course of to her personal work. “That’s in all probability why it took so lengthy,” she displays. “Each single design chance was explored, and that’s how I work. You’ve gotten an thought and also you push it left, proper, ahead, upside-down till you’ve examined each single chance of that one thought.”
N.B.: This submit is an replace; the unique ran on March 29, 2021.
For extra eccentric British interiors, see:
A Visit with Marianna Kennedy, London’s Sorceress of Color
