There are three mirrored bays within the dwelling space. In the midst of the house is a lumpen Max Lamb espresso desk (“It’s bought that Fred Flintstone factor to it”) and 20 meters (65 toes) of custom-made shelving. A easy kitchen is constructed into the tip wall past the couch.
Upstairs, there’s a main bedroom and a visitor bed room furnished with a settee and a leather-based punching bag (Webster kick packing containers). The monochrome foremost lavatory has been tiled in a disorientating, monochrome zig-zag sample.
Webster’s studio is accessed by way of a separate facet door. The brink is a doormat-sized forged concrete slab with the phrases “Fucking Lovely” dragged by it, a nod to Noble and Webster’s 2017 neon work of the identical title.